![]() ![]() ![]() The first 30 seconds of “Blow Out” label stars John Travolta and Nancy Allen while flashing through a series of sounds that indicate there will be an auto accident, someone will die, and the clues will be on the soundtrack. The clever cartoon credits of “The Adventures of Tintin” are better than what follows. My favorites simply want to get us vibing with the movie, like Richard Avedon’s stylish credits for the fashion world-set “Funny Face.” The opening titles of “Foxy Brown” look like somebody made them at home on a rickety computer, but with Pam Grier coolly dancing around goofy design blips, they prepare you for fun – as do the “Superbad” credits, with Michael Cera and Jonah Hill nerdily popping and locking. If you have a favorite, you will probably find it there, then spend hours checking out dozens of others (they also pick an annual top 10). ![]() Its writers collect and analyze credits for television and movies. If you’re a fan of credits, a dangerous place to visit is the Art of the Title website. They also can introduce a cast of characters, as in the opening of “Murder by Death.” They can essentially teach us how to watch a film, like the Polaroid photo that “undevelops” in the backward “Memento,” the spoken credits in the book-burning drama “Fahrenheit 451” or the stately “Tinker Tailor Soldier Spy” sequence that forces us to scan the shifting screen for minute details. Opening credit sequences can give us a sense of tone, subject and themes. They’re the first thing in a movie, and they’re packed with information, but we rarely know much about them. ![]()
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